Chris Marker soundtrack

Chris Davies asked me to do something at Bleeding Hearts Club in February, and I decided to try out my new setup which includes a contact mic’d metal tray, Raspberry Pi with a Pisound HAT, small mixer, and the usual array of effects. Here’s a picture of it:


I like this setup as its nice and compact, it all fits in a small suitcase so I can take it on the train to performances.

I’m a big fan of Chris Marker and have been wanting to do something related to his work for a while. I chose Theorie des Ensembles, and An Owl is an Owl is an Owl with a view to improvising a new soundtrack to them.

In Theorie des Ensembles two owls explain set theory to Noah on his ark. The images were made in an early version of multimedia authoring tool Hyperstudio, and have a fantastically odd texture. The original soundtrack is a piece by Alfred Schnittke.

An Owl is and Owl is an Owl is the third in the series Chris Marker’s Bestiary and is a series of shots of owls looking slightly mysterious.

The performance went pretty well, Matt Benzie made a nice recording of it which I laid over the visuals. I’m pleased with the result, here it is:


Towards the Margins / Touching Extremes

Thanks to my good pal Shaun Blezard for playing some of At Cuckmere on his fine radio show, along with a couple of other tracks by Cronica artists (and loads of other good stuff).

That’s here:



Massimo Ricci gave the album a great review on Touching Extremes:

 At Cuckmere is cleverly conceived and effective, improving a listener’s aural and, why not, mental position in just over 23 minutes.

The full review is here. Thanks Massimo!

At Cuckmere

I’ve always loved Cuckmere Haven in Sussex. I remember going for picnics with my family when I was a child, and it’s somewhere me and my family regularly go. It’s the only undeveloped river mouth on the Sussex coast.

When the nice people at Cronica asked me to put together a release I decided to make a piece about it.

It’s available for free on Bandcamp and other media. All the details are here


A big thank you to Miguel Carvalhais at Cronica for his support, and his excellent job mastering the audio and designing the artwork.

Nil mini tour

Me and Thee Walrus are half way through a mini tour of the South East of England. Our gruelling schedule takes in The Coach House in Kemptown, Brighton on 12th October (last night), and then on the 14th October (tomorrow – note how we skillfully avoided Friday the 13th) we are performing at the 100 Years Gallery in Hoxton with Found Drowned.

There’s more about the gig at the 100 Years Gallery here

Quarterly report

What with work, family life and the allotment I haven’t posted here for a while. But I’ve still been doing plenty of sound related things. James and I did another Muster gig at The Cowley Club in Brighton organised by Graham Newbury. It went well and we’re hoping to do some recording later this year.


Here’s James tuning up. As you can see there was a lot of interesting kit on display. Ali Robertson and Karen Constance played a lovely set.

I’ve also been talking to Annie Kerr about a duo and we’ve made some recordings of Annie playing the violin. She’s a great player and I’m excited about working with her.

Chris and I organised another Small Sounds and movements with Jamie Sturrock, Annie and Tim Yates as well as Nil. We love putting this event on at The Coach House (our spiritual home) and it’s nice to have the same people playing and see the increments in their practice – Annie was the only person who hadn’t appeared at the first one.

small sounds and movements

I’ve been working a lot on a new instrument using the excellent PiSound and an Arduino based midi controller. I’ll post more details when it’s finished.

Muster live at Club Integral

James and I did Muster at The Others in Stoke Newington a couple of weeks ago, we liked it enough to put it on Soundcloud. I also got to play in a trio with Annie Kerr and Kev Moore at the same event as Gus Garside was indisposed (by Storm Doris, he was stuck in Manchester).

The Comet Project lives

In 2008 I did a netlabel release for Hippocamp called The Comet Project. 20 one and half minute tracks, each named after a periodic comet (well why not). I remember many nights sitting in front of a battered laptop building each track up, recording the things I had lying around my house and adding effects.

Bartosz Dylewski, a visual artist and programmer (amongst other things) did some visuals to go with them using his own unique set up.


I found out today that they Hippocamp release has been archived here I think it still sounds pretty good.