Me and Thee Walrus are half way through a mini tour of the South East of England. Our gruelling schedule takes in The Coach House in Kemptown, Brighton on 12th October (last night), and then on the 14th October (tomorrow – note how we skillfully avoided Friday the 13th) we are performing at the 100 Years Gallery in Hoxton with Found Drowned.
There’s more about the gig at the 100 Years Gallery here
What with work, family life and the allotment I haven’t posted here for a while. But I’ve still been doing plenty of sound related things. James and I did another Muster gig at The Cowley Club in Brighton organised by Graham Newbury. It went well and we’re hoping to do some recording later this year.
Here’s James tuning up. As you can see there was a lot of interesting kit on display. Ali Robertson and Karen Constance played a lovely set.
I’ve also been talking to Annie Kerr about a duo and we’ve made some recordings of Annie playing the violin. She’s a great player and I’m excited about working with her.
Chris and I organised another Small Sounds and movements with Jamie Sturrock, Annie and Tim Yates as well as Nil. We love putting this event on at The Coach House (our spiritual home) and it’s nice to have the same people playing and see the increments in their practice – Annie was the only person who hadn’t appeared at the first one.
I’ve been working a lot on a new instrument using the excellent PiSound and an Arduino based midi controller. I’ll post more details when it’s finished.
Me and Chris tried our new approach for Nil at Dear Serge on Saturday. We’ve decided to focus our attention on the things we like most, the sounds that sound right together to us and the theme we’ve gone back to again and again – ritual. Chris has been making some beautiful scores using a mix of media which we used at Dear Serge; I need to get working on something similar.
We brought far less each to play, rather stripped down from the usual assortment of junk, instruments and kitchen implements. Chris concentrated on reeds although diverted sparingley into objects as needed. I used my tuned percussion, ektara and voice. We also sat behind a table rather than on the floor, our knees just can’t take it any more.
The score gave a nice structure, even if it was more of a signalling device at times. We decided afterwards that we need to reintroduce some of the performance elements which got dropped. One of the reasons we started to change things is we were tired of being labelled as a couple of jokers, but there’s still space for the playful, rather than the downright silly.
I’m playing at Aural Detritus 2014 which Paul Khimasia Morgan is putting on at The Phoenix in Brighton on December 12th. I’ve played at a couple of these and really enjoy them, Gus and I both like gigs in galleries. I think the audiences are maybe more open to challenging work, not because different people go to galleries, but the expectation is different to performing at a rock venue.
I’ll be playing in The Static Memories with Gus and then Paul has asked Nil to do performances between the acts so we’ll be setting up somewhere in the building and doing something.
The Phoenix Gallery is always worth a visit
Here’s the Aural Detritus website
Chris and I had a couple of beers around the campfire last week and decided we really should get a new album out. We listened to a some recordings Chris made of gigs at The Scope and The Cowley and thought they sounded good to go so The golden headress is now on Bandcamp for free download.
The Scope is the new Spirit of Gravity thing at The Caroline of Brunswick every month, we played at the first one with The Zero Map and Captain Poopdeck and it was a fine and well attended affair. The Cowley gig was one of the many gigs the excellent Graham Newbury has organised in support of Brighton Community Radio and was a cracker with us and some other people.
Me and Chris are playing at a benefit gig for Brighton and Hove Community Radio, a just cause if ever there was one. Its at the Cowley Club inevitably, which is on London Road, Brighton.
28th February at 8pm, Donations.
You can find it listed on the excellent Brighton Eyeball Google calendar, for all your Brighton & Hove experimental music requirements:
Chris and I travelled to Braziers Park in Oxfordshire once again for Supernormal. We got to play in the Church of Chaos on Saturday afternoon and then for Bang the Bore in the Barn on Sunday. Both good sets and we gave away a few cd’s, got some nice comments and made some new friends. Chris did a blasting set with some Bolide people and I took part in a John Cage percussion piece with a very long title which I have forgotten, organised by Adam Bushell.
I saw plenty great music, performance and art. Plurals, Cosham Community Players, Lama Dalai’s facilitated visual scores interpreted by the Kev Nickells All Stars, a performance in the woods at night, Carousel, Mothers of the Third Reich, and possibly the quietest piece of music I’ve ever heard by Charlie Sdraulig which was almost inaudible above the drone metal sound bleed.