Tagged: Adam Bushell

The Static Memories + Adam Bushell

Adam Bushell is a very nice chap and the latest person we’re collaborating with. He approached us a while ago about doing something and we were pleased to agree, but it’s taken ages to get it sorted out. But now we’re all set for 11th October upstairs at The Caroline of Brunswick in Brighton, in the afternoon. I may even be able to persuade E and the kids to come along.

We’re planning a solo set from each of us, followed by a group improvisation with all three. Here’s the poster, come and see us.

Adam Bushell & The Static Memories


Brambling, rehearsals and sitars

Well it’s been a couple of months since I last posted. I’ve been working on lots of new stuff; including a get together with Gus in a rehearsal space which was a new one for us, it was good to play without the pressure of an audience, soundchecks and so on and we made some recordings which I’m trying to get into shape for an EP.

Chris and I are working on the new nil piece, we’ve got some scores and ideas which we’re going to workshop into a performance. A lot came out of the performance at Dear Serge and we’ve made some decisions about how we set up, what to include and exclude; that kind of thing.

I’m playing at The Scope with Andrew Greaves next week, we’re doing an interpretation of In C. Andrew will play the parts and I’ll fiddle them into something new with a computer and effects pedals. The whole ‘collaborating with someone at every Scope in 2015’ which Geoff made me do has gone well, it’s good to be pushed in new directions. Geoff and me started up our noise project – Renfield – as part of it and did a gig at Splitting the Atom which was well received.

Gus and I are doing a collaboration with Adam Bushell on 11th October at The Caroline of Brunswick in Brighton, then at Listening Club in Peckham the following week (the 18th). Really looking forward to both of them.

I’ve been helping Chris Cook on a project to bring a group of Indian Classical Musicians over from Benares which is happening in November, partly thanks to a grant from Arts Council England, but mostly thanks to Chris. They will be doing some gigs in Sussex, leading workshops with local schoolchildren and collaborating with musicians from the Spirit of Gravity collective.

Paul Morgan and I have a project called Brambling which came out of a performance at The Scope and some recordings we did in Paul’s home studio over the last couple of years. It’s on The Slightly Off Kilter Label website as coming soon, so I guess it will be along soon.

The Slightly Off Kilter Label website including a pic of the sleeve of said album, and some great pictures on Brighton Noise of Paul and I playing at The Scope.

Spirit of Gravity website with details of the gig on the 19th August – Gus is playing with Annie Kerr as well.

The Long Half Day album launch

This Sunday at 7pm at the Rag Factory in London we’re launching the Long Half Day USB album which Slightly Off Kilter are releasing. Come and take your pick from the different cases we’ve made and have a listen to us doing some free improv.

All the details are on Sound and Music here: http://www.soundandmusic.org/thesampler/event/2013/11/long-half-day-album-launch

We’d love to see you there.


Chris and I travelled to Braziers Park in Oxfordshire once again for Supernormal. We got to play in the Church of Chaos on Saturday afternoon and then for Bang the Bore in the Barn on Sunday. Both good sets and we gave away a few cd’s, got some nice comments and made some new friends. Chris did a blasting set with some Bolide people and I took part in a John Cage percussion piece with a very long title which I have forgotten, organised by Adam Bushell.

I saw plenty great music, performance and art. Plurals, Cosham Community Players, Lama Dalai’s facilitated visual scores interpreted by the Kev Nickells All Stars, a performance in the woods at night, Carousel, Mothers of the Third Reich, and possibly the quietest piece of music I’ve ever heard by Charlie Sdraulig which was almost inaudible above the drone metal sound bleed.

The Long Half Day

I was involved in a 12 hour improvisation performance on February 3rd. An amazing way to start the year and one of the best experiences in my creative life. It came about after Gus and I met the Carousel Collective at a gig in London organised by James Alaska and Tom Mudd. Carousel are Tim Yates, Nora Sanatian, Benedict Taylor and Charlie Sdraulig they are a group of musicians who are interested in exploring the possibilities of music in new and imaginative ways. After a performance in Brighton last year which I helped organise Tim suggested we collaborate on a long improvised piece at The Coach House in Kemptown.

I was lucky enough to get Adam Bushell, Kev Nickells and Chris Parfitt involved as well and the eight of us started with some trepidation at 10.30am. 12 hours later we drew to a close after a truly remarkable experience which was very different to my expectations. With maybe 3-4 twenty minute breaks I was performing for the whole time, as was everyone else. There were great moments when we all clicked together followed by an ebb and flow for a while and then another upsurge.

There is a recording but who knows what will happen to it, we’re trying to work that out at the moment.


Just before kick off Benedict, Chris, Kev and Adam Charlie, Benedict and Chris Charlie, Noura, Benedict, Chris & KevThe Long Half Day  Noura, Kev & Adam Benedict